After thirty years, Maverick is still pushing the envelope as a top naval aviator, but must confront ghosts of his past when he leads TOP GUN’s elite graduates on a mission that demands the ultimate sacrifice from those chosen to fly it.
After more than thirty years of service, military awards, medals and decorations for extraordinary heroism in combat, distinguished US Navy Captain Pete Mitchell, call sign Maverick, finds himself exactly where he belongs: pushing the limits as a top test pilot. Having spent years avoiding promotions after the events of Top Gun (1986), Maverick must now confront the ugly past and an uncertain future while tasked with training the next generation of elite fighter pilots for a nearly impossible suicide mission. As the veteran naval aviator prepares the brilliant graduates for the top-secret assignment, stretching the rules to the breaking point, Mitchell has to face an equally critical challenge: navigate through an uncomfortable relationship with a hotshot lieutenant holding a grudge. Can Maverick and his Top Guns perform a miracle, give the enemy hell, and come back home in one piece? – Nick Riganas
This is the ideal example of a big summer blockbuster and one of the best legacy sequels we’ve ever gotten: a movie that knows how to move along and give you what you came for.
A wheelchair-bound photographer spies on his neighbours from his Greenwich Village courtyard apartment window, and becomes convinced one of them has committed murder, despite the scepticism of his fashion-model girlfriend.
L.B. “Jeff” Jefferies is an immobilized photo-journalist who, after breaking his leg photographing a racetrack accident, finds himself wheelchair bound and confined to the walls of his apartment. His rear window looks out onto a courtyard and several other apartments, where the binocular-wielding Jefferies spends his days as a voyeur spying on his neighbours. Jefferies gradually becomes more and more engrossed with this activity of his, and soon brings his girlfriend, Lisa, in on the thrill of his voyeurism. It’s all fun and games for the two until they witness what they believe to be a murder in progress, becoming increasingly convinced as they continue to observe the apartment. [KP]
The most densely allegorical of Alfred Hitchcock’s masterpieces, moving from psychology to morality to formal concerns and finally to the theological. It is also Hitchcock’s most innovative film in terms of narrative technique, discarding a linear story line in favour of thematically related incidents, linked only by the powerful sense of real time created by the lighting effects and the revolutionary ambient sound track.
Hitchcock confines all of the action to this single setting and draws the nerves to the snapping point in developing the thriller phases of the plot. He is just as skilled in making use of lighter touches in either dialog or situation to relieve the tension when it nears the unbearable. Interest never wavers during the 112 minutes of footage.
As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as “human computers”, we follow these women as they quickly rose the ranks of NASA alongside many of history’s greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughan, Mary Jackson, and Katherine Gobels Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes.
Hidden Figures, both a dazzling piece of entertainment and a window into history, bucks the trend of the boring-math-guy movie.