George Bailey has so many problems he is thinking about ending it all – and it’s Christmas! As the angels discuss George, we see his life in flashback. As George is about to jump from a bridge, he ends up rescuing his guardian angel, Clarence – who then shows George what his town would have looked like if it hadn’t been for all his good deeds over the years.
It’s one of those ageless movies, like “Casablanca” or “The Third Man,” that improves with age. Some movies, even good ones, should only be seen once. When we know how they turn out, they’ve surrendered their mystery and appeal. Other movies can be viewed an indefinite number of times. Like great music, they improve with familiarity. It’s a Wonderful Life falls in the second category
Although peppered with colourful, sharply drawn characters, this is Stewart’s movie, instantly loveable as a small town dreamer who sacrifices everything for others. His journey to despair and back warms the cockles like little else. Enjoy it in a cinema so you can sob among others.
In 1961, Kempton Bunton stole a valuable painting from the London National Gallery. He sent ransom notes saying that he would return it on condition that the government invested more in care for the elderly. What happened next became the stuff of legend. An uplifting true story about a good man who set out to change the world.
In 1961, 60-year-old Kempton Bunton stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. He sent ransom notes saying that he would return the painting on condition that the government invested more in care for the elderly. What happened next became the stuff of legend. An uplifting true story about a good man who set out to change the world and managed to save his marriage.
You could dine on nothing but lard for twenty years and still not develop the hardness of heart necessary to avoid being won over by Roger Michell‘s The Duke, a ridiculously charming British comedy that dunks a gamely accented prestige cast into an appealingly milky true story like so many digestives into a warm, well-earned, early evening cuppa.
Manhattan, Upper West Side, 1957. Against the backdrop of the decaying tenements of New York, two gangs fight for supremacy. This oscar-winning reimagining of the beloved musical tells the classic tale of fierce rivalries and young love in 1957 New York City.
An adaptation of the 1957 musical, West Side Story explores forbidden love and the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds.
This is a West Side Story for both the past and present, as pleasing as the best movie musicals used to be, and as relevant as today’s headlines. It makes you feel like you are actually on the turbulent streets of New York’s west side, not a sound stage.
West Side Story is contrived, certainly, a hothouse flower of musical theatre, and Spielberg quite rightly doesn’t try hiding any of those stage origins. His mastery of technique is thrilling; I gave my heart to this poignant American fairytale of doomed love.