In 1947, Dalton Trumbo was Hollywood’s top screenwriter until he and other artists were jailed and blacklisted for their political beliefs. Trumbo recounts how Dalton used words and wit to expose the injustice of the blacklist.
In 1947, Dalton Trumbo (Bryan Cranston) was Hollywood’s top screenwriter until he and other artists were jailed and blacklisted for their political beliefs. Trumbo recounts how Dalton used words and wit to win two Academy Awards and expose the absurdity and injustice of the blacklist, which entangled everyone from gossip columnist Hedda Hopper (Helen Mirren) to John Wayne, Kirk Douglas and Otto Preminger. The film also stars Diane Lane, John Goodman, Louis C.K., Elle Fanning, and Michael Stuhlbarg.
Bryan Cranston finally translates his critical acclaim for “Breaking Bad” into an Oscar-calibre performance in darkly comic Trumbo, playing an eloquent, witty screenwriter who bucked the Hollywood blacklist and triumphed.
Cranston’s performance is the motor that runs Trumbo, and that motor never idles, never flags in momentum or magnetism or idealistic scorn. At its entertaining worst, the movie’s a high-spirited game of Hollywood dress-up.
Inspired by global phenomenon of military wives choirs, the story celebrates a band of misfit women who form a choir on a military base. As unexpected bonds of friendship flourish, music and laughter transform their lives.
Inspired by global phenomenon of military wives choirs, the story celebrates a band of misfit women who form a choir on a military base. As unexpected bonds of friendship flourish, music and laughter transform their lives, helping each other to overcome their fears for loved ones in combat.
In a classic Brit-com flanking manoeuvre, the film tries to simultaneously reduce the viewer to tears while inviting us to bask in the fuzzy glow of our friends and neighbour’s innate decency. Luckily it succeeds, thanks in no small part to the commitment shown by Horgan and Scott Thomas.
You are well aware of the shameless manipulation and can second-guess exactly where it is going and yet resistance is futile. It tugs at the heartstrings with such determination and sincerity that there may not be a dry eye in the cinema.
Having seen on the programme that the film “Military Wives” was to be shown on 4th December, despite social distancing, I decided not to miss a film I had been waiting to see, (I missed it when on general release some while ago).
I certainly wasn’t disappointed. From the opening scenes, I was “hooked”. The cast, headed by Kristin Scott Thomas, were so realistic in the way they portrayed “living on the base” where the hierarchy of military life flows down to the families as well as to the “enlisted men and women”. The leaving of the recruits to do a tour of duty on the front line would strike a chord with all of those people who are connected to the service way of life. Musically, the choir was very well portrayed in the story, and with the added bonus of the heightened emotions of performing in front of “the boss”, it showed so many dimensions to being a forces wife and what the family has to embrace in those circumstances.
The emotion of the film left “not a dry eye in the house!”
Pam Healey. (formerly the daughter of a WW2 gunnery officer and wife of a Trials/Design Officer in the RN and RNZN!)